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Stop Time
The concept of "youth culture," even when it referred to the culture of actually existing youths, has always been the result of adults looking back on their own pasts. It is, in other words, a back formation transposed forward, predicated on the assumption that to have been a youth once is all that it is required to understand a youth in the present. That mode of identification through recollection is the sine qua non of pedagogical theory as well. The threat posed by technological innovation is that it guarantees that successive generations grow up with a set of experiences and aptitudes different from their forebears. Shoring up the breach demands the presumption of further equivalences, such as that learning to write on a typewriter is more or less the same as learning to write on a computer or that learning to use a rotary phone is more or less the same as learning to use a mobile phone. But that "more or less" opens up a margin for error that must be wished away with the help of that first equation, itself imprecise: one generation's youth is more or less the same as another. The result is a loop bound to introduce distortion with each repetition. The concept of "youth culture," in other words, is motivated by the desire to stop the very process of development it supposedly seeks to trace.
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Your identification of "youth culture" as a falsely ahistorical category I found intriguing. I wonder if there isn't an element of the death-drive behind it, attenuated though it may be, "youth" representing a period of relative homeostasis between body and consciousness, a time when joints weren't yet balky, when the face wasn't yet creased or jowly, when there wasn't yet much noise in the neurologic circuit. To return to youth is to return to this time of fluid corporeal integrity, to a sort of uterine body; it may be that much of what we take to be mind-body duality proceeds from such things as nagging backaches or arthritis.
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C. just checked out a book entitled, Teenage, by that guy who wrote England's Dreaming. It's a popular-press title, but I wonder if it intersects with any of your meditations on the subject. I did notice the phrase "Youth Culture" in the book's subtitle.
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I think all philosophers of consequence have had a painful condition of some sort.
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When Baby Boomers got old, though, what you describe surely takes hold. Boomers reject the concept of growing up, so they believe they have a never-ending connection to youth culture. They think they're in tune with the present, but, as you note, they're really just processing the present through their recollections of being young. They want to be the ones to define youth culture, and they don't realize their vision of youth culture is almost entirely based in nostalgia. So they must "stop the process of development" by redefining it in terms which make it "more or less" just like what they experienced.
I'd say it was better in the olden days. I don't know that the generation gap was a good thing, but it's hardly an improvement when the aging boomers deny the existence of such a gap, cursing subsequent generations to replaying the past of their elders. My parents didn't "understand" my culture ... you could argue that was the point of the culture in the first place. I don't understand the culture of my kids, either, but I pretend that I do, and that's even worse, since it forces their culture into modes better suited to us than to them.
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Of course, there are other complications to consider, both in relation to my point and yours. The Youth Movement that led to the formation of various scouting associations at the turn of the last century was directed, in part, by adults who wished to realize an ideal conception of youthful activity. But they didn't think of youth as a period with its own culture in the Cultural Studies sense. I wonder whether the fact that American parents of your generation -- and, in some cases, mine, since my father was born in 1931 -- might have been the exception to the rule, where modern industrialized society is concerned, due to the double whammy of the Depression and World War II.
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Think of child soldiers, Dickensian/William Blakean English child laborers, and Depression-era youths, all of which can't really be thought of to have had "youth culture" of any kind, and it's pretty obvious that "youth culture" is an idealized remembrance by adults projected on the youths of the present, instead of any kind of a precise description.
Huzzah.